DRM 221 - Acting for Singers III
This is a yearlong course that builds on and continues to examine the acting techniques of Meisner and Stanislavsky. Exercises move to encompass formal, nonrealistic approaches to performance. There is a strong emphasis on Anne Bogart’s Viewpoints and the theatre of Robert Wilson. Lessons in text analysis begin and are applied to contemporary scene work. Voice majors only. Two hours weekly.
Prerequisite(s): DRM 120 -DRM 121 .
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